Medbh mcguckian wiki

Dublin: Attic Press, Bradley, Anthony. Contemporary Irish Poetry. Corcoran, Neil. A Brucoli Clark Layman Book. Vincent B. Sherry Jr. Gale Research, Docherty, Thomas. Ed: Neil Corcoran. Bridgend: Seren Books, Haberstroh, Patricia Boyle. Syracuse: Syracuse University Press, McGuckian, Medbh. Private Papers. Special Collections, Emory University.

Murphy, Shane. Porter, Susan. Anne E. Westport: Greenwood Press, Wolff, Janet. Berkeley: University of California Press, Yeats, W. Please subscribe or login. Oxford Bibliographies Online is available by subscription and perpetual access to institutions. For more information or to contact an Oxford Sales Representative click here. Publications Pages Publications Pages.

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Medbh mcguckian wiki

Hidden categories: Webarchive template wayback links Articles with short description Short description is different from Wikidata EngvarB from October Use dmy dates from February All articles with vague or ambiguous time Vague or ambiguous time from June All articles with unsourced statements Articles with unsourced statements from January Belfast, Arts Council of Northern Ireland, Oldcastle, Gallery Books, Martin's Press, I do not really feel established enough to be of interest to the general reader.

My work is usually regarded as esoteric or exotic, but that is only because its territory is the feminine subconscious, or semiconscious, which many men will or do not recognize and many women will or cannot admit. My poems do not seek to chart real experience but to tap the sensual realms of dream or daydream for their spiritual value, which enhances and makes bearable the real.

Through suffering, emotion, illness, people achieve order, art, strength. I believe wholly in the beauty and power of language, the music of words, the intensity of images to shadow paint the inner life of the soul. I believe life is a journey upward, beyond, inward, a ripening process. As the body wearies, the spirit is born. My themes are as old as the hills and out-of-date—love, nature, the seasons, children—but I hope what is new is the voice binding them all, sophisticating itself into something eventually simple.

It quickly became a commonplace to criticize Medbh McGuckian's poetry for obscurity, lack of focus, and a plethora of images. It was ever thus, for the Irish, like the Scots and the Welsh, have long experienced and understood the tyranny of English lucidity, which seeks to control the very ways in which it is permissible to create meaning.

McGuckian's poetry recognizes that one mode of resistance is obliquity, the refusal to be bullied into proprietorial, "acceptable" meaning. Being Irish and female combines to place McGuckian at a double remove from the dominant powers. McGuckian's poems revel in their imaginative and elaborate qualities. It is not just a matter of dense imagery and difficult metaphor.

Meaning is constantly deferred, and sometimes, by a careful twist, the meaning is placed out of reach after the reader thinks it has been grasped. Even her syntax questions the ways of dominance, for her long, accretive sentences deny us the easy passage that can come only when one clause is ruthlessly subordinated to another. Yet all of this is achieved with elegant wit, for the challenges to the unself-aware custodians of power and meaning are delivered implicitly, even in disguise.

Sometimes the disguise is of a person innocent of most things beyond domesticity, certainly eschewing polemic or overtly political language, apparently engaged only in "a little ladylike sewing. Woven like a sampler, The Flower Master is a deliberately florid book, structured with innumerable flower images. Likewise, Venus and the Rain is conceived as a coherent whole, an attempt to map out a distinctively female mythology and eroticism.