Ronya galka biography of barack

Their idea? Their goal is to not only display the work of established street photographers, but to look for new talent among the not-so-famous in order to create an exciting, fresh mix of individuals. Right now, the collective is made up of several incredibly talented street photographers, some of which have been featured in Street Photography Magazine.

We interviewed Ronya Galka as our featured photographer, for example, in our very first issue. It can be inferred that she has an eye for choosing under looked focuses that make her photos what they are. Although she doesn't directly use the obvious photos, she still uses them to add layers the the photo, for example in the form of a backdrop.

By Galka choosing to be very close up to the subjects really creates a personal feeling for this photo. She creates a dull and empty setting to add emotion to the photo. Ronya uses a middle D. F which allows the focus to mainly be on the 2 people sat down but also still allows the viewer to focus on the backdrops such as Big Ben. The blur on the backdrops almost creates more of a focus on them.

I used a film camera when completing this shoot. It looks fairly clean and clear on the photograph, but I did have quite a bit of snow on the lens. I did have to force myself out. It was a horrendous day. It was wet and it was miserable.

Ronya galka biography of barack

My feet were soaked, but it was definitely worth doing. But you were still so out there, and you got really, 2 wonderful shots. SPM: One thing I wanted to talk about is the names of your photos. You have the best titles. Do they just come to mind as you are shooting? What happens? Is it just how you feel as you look at that? I know that there are different views also in titling images and a lot of the time actually, with the way that I title my images, I give them a particular touch, or I position them in a particular way.

Every exit is an entrance somewhere else One example of this is an image that I took, once again, in the city of London. And I guess the image in itself is quite a clean and quite a structured image, which plays a lot on another theme that I explore quite a lot, the light and dark and the constant chasing of light. But this was one of those moments where obviously, this man was leaving the office, to give it more of a personal context, I was also leaving my workplace to go into a much more exciting venture.

So this was something that clearly worked for the image, but at the time it also really represented where I personally was pretty well. Born and educated in Germany, Ronya moved to London in the early s and it is there that she launched her photography career and developed her own style of urban and street photography, extracting the extraordinary from life around her.

Her intimate images of urban life frequently blend Fine Art with Documentary and are often intriguing, incorporating a degree of ambiguity and triggering thoughts and emotions in the viewer. Her urban prints can be found in hundreds of private collections around the world, and a selection of her black and white work is currently installed at Newcastle Airport in the UK.

It seems that the vast majority of street photographers are men.