Vicky edimo tiwony biography

Many complain about the negative image conveyed by some feature of African descent, it seems that the entertainment industry regarding blacks has become a brainwashing tools that does not help the black community to reflect on the existential questions which nevertheless hit the global black community? Is there a chance to see again responsible musicians on the front of the stage?

When some are glorifying crime? Vicky Edimo: But these artists you're talking about are still there, they are there, but the problem does not come from them, these artists are stifled by producers who prefer to do things a certain way to make money, they prefer to have artists they can manipulate at the expense of the music, for that they will not always take a true artist.

High-flying African artists are out there, there is plenty of them. I know many who suffer from this state of things, of this lack of opportunity for them and that is unfortunate. Flashmag: In your opinion what to do to remedy this situation? Although I should point out that with us at Flashmag we give prevalence to those artists who have a positive message?

But the problem is that back home we like improvisation, is not always competence, sorry to say it so bluntly, but it remains a truth, we prefer to help the boyfriend hoping to earn a little more money in fact it is as if you are managing an office and as boss you'll take your nephew or cousin to do a job where he is not competent, it also exists in the music, that kind of behavior.

It makes me a little sick to say that, lot of high level African artists are there, especially as the generation after me with Richard Bona, also paved the way for another generation of musicians that make music that has nothing to do with the provocative dances of the butt , I'm not against, but I think it is important to say that in Africa there is also something else.

I have nothing against but do not try to make people believe that our music is just that. Flashmag: On the point of view of music making as a purist with the arrival of new software like MIDI and others, one has the impression that the machine is taking precedence over the man, how do you live this aspect of things in your opinion do you think the music would lose warmth if there were fewer studio musicians?

But these same machines are used as well by seasoned musicians who use them wisely. It depends on the management, it is true that some musicians are anti Machine while some are just for machines, but by cons I think the ideal would be to combine the two you have to live with the time but do not let the machine take precedence over the musicality of the artist.

Flashmag: Another recurring problem in contemporary music is the drop in CD sales while the music broadcast on internet breaks all records? But the musicians complain of not receiving enough money from the major music distribution company on the internet, what to do to find a mind field? Do you think it is time for musicians themselves to take their destiny in the management of their career?

Vicky Edimo: oh yes that's the battle of the French government now with new technologies music is distributed in a different way, it's not like in the days when there was a million copies there was a million of albums sold, now you make 10,, and 9, copies are pirated and that too is due to the signs of time. The battle now is to plug these gaps, piracy is really a serious problem that often harms some artists.

If it continues like that artists will not have a choice. When you are an artist today regardless of whether you are working on music you must also be able to put it in the market.

Vicky edimo tiwony biography

Artists must provide the means to realize their music and make themselves known. Unless you have the chance of hitting a patron who wants to take the trouble to support your Project. Music today has taken many other forms of exploitation. However, there are a lot of things to see, things that have nothing to do with art. The commercial aspect of the thing took over the ascendancy.

Flashmag: You are promoting your new album Siseya can we have an idea about your near future schedule, in addition you are now in France when do you return to the States, have you planned some dates for your fans on this side of the Atlantic? Vicky Edimo: the idea behind making an album is to discover the many. Flashmag: The last word in relation to Siseya?

Vicky Edimo: Well I would say to the public to buy the album, so they can realize themselves what it returns to. Flashmag: Yes I would say it is a very good album that I had the opportunity to listen some excerpts I urge the public to make a detour is not every day that you can listen a Vicky Edimo work. Flashmag: Vicky Edimo Flashmag and its readership say thank you for this interview.

Vicky Edimo: It is I, who thank you. Video Excerpts Njohe. Interview by Hubert Marlin Elingui Jr. Journalist -Writer. Interview with Vicky Edimo. Headline - A la une. A la une sur Flashmag ce mois. Love - Relationships last longer when the woman is more attractive. Avril Issue April Whether deliberate or not, the Corona Virus is a tool of war. Is the Free World Free?

In This Edition. Also in demand on the west coast , he travelled back and forth between the east coast and the studios in Los Angeles , working next to greats like Fred Wesley , Maceo Parker , Paulhino da Costa , Sonny Burke or James Gadson on different projects. The last one being the " African tribute to James brown world tour" Meanwhile , Paris became the center of world music , he then naturally moved back to France in order to express his american experiences through his african roots.

He then started recording his second solo album produced by Zagora , and opened the Stanlet Clarke - George Duke act at the Tabarka jazz festival in Tunisia. Today , Victor " Vicky " Edimo is a songwriter , bassplayer , vocalis , arranger and producer of his own music. His style , blending the colors of Afro-funk-blues can be heard on his fourth solo album released in March Vicky Edimo : You Buy Download.

On one hand is the actual music which is often geared towards promoting the familial structure and, more broadly, unity amongst all people, but definitely this extends behind the scenes where so many different artists have musical origins which exist beyond themselves. There is, certainly, the first family of Reggae music which is headed by its still most dominant figure, Bob Marley, which includes himself, his Wife and a seemingly endless line of progeny and we've already seen it move into a next generation with his grandson, Daniel Marley.

Similarly, Reggae's second family, the Morgans, have also entered into that third tier of hitmakers with Jemere Morgan, son of Gramps Morgan, showing a penchant for being a hitmaker early in his career. The Rileys would be the closest point of comparison in this instance as you have the elder Riley, Jimmy, having already had a fine career, being given a greater level of the spotlight because of the work of his offspring, Tarrus Riley.

It is this ultra-fascinating discussion and thought of taking greater notice of the work of the father particularly for younger listeners , because the son is so… ridiculously talented. I'd also, on a different scale, point to the example of Vicky Edimo, father of the almost overly-gifted Tiwony, who, at least from me, received a closer look after I really began to get into the works of his son.

And in our case now, we expand in a similar direction as we take a look at the work of one Ronnie Benjamin. There is Ronnie Jr. So, while we spent a whole heap of becoming formally introduced to the younger Benjamins, the elder also gave us an opportunity to take a look at what he has done as well by way of delivering a brand new album of his own, "Life".

To my knowledge, Ronnie Benjamin's origins are the same as those of his offspring and he was born on St. Croix, though I believe he now calls Antigua home. Benjamin's was a name that I was vaguely familiar with even before I fully knew what a Midnite was but it was YEARS after that when I made the connection between him and the group and I don't think I'm the only one who would say that.

Also, it had been a considerably long time from his last album. As far as I know, "Second Chance" remains his last official set and that album which was produced by Ronnie Benjamin Jr. But, as is generally the case, I was wrong. In late or so, "Life" appeared and I made a note to go back and have a listen and really use it as a point to, hopefully, check out what I had missed over the years and use it as an educational piece.

So what did I learn. Something else which really sticks out is the delightful straightforwardness Benjamin exudes in his music and, briefly going back to some of his other work, I can definitely see that this hasn't been a change for this album. It is a quality which he just possesses as a writer which, I know, seems damn odd from someone who is the father of Vaughn Benjamin and is a wonderfully intoxicating trait coming from someone who has probably been making music for longer than the billion years that I have been on the planet.

As its very broad title would suggest, this is an album which goes in so many different directions and naming it "Life" was a very, very good idea in my opinion. Because of that, the one immediate critique that you might have in this case -- the album's length ten tracks totaling less than forty-five minutes -- is not much of a problem.

Rain is falling, cool breeze blowing - off the open seas. What more could you ask for? What more could you want? Such a wonderful feeling -. Makes me feel like singing. Give thanks and praises for the morning sun. Give thanks and praises when the day is done. Give thanks and praises just to be alive today. Give thanks and praises in each and every way.

Blue skies up above, with patches of gray clouds.