Laxminath bezbarua biography sample
He also visited theatre and attended important lectures by the prominent persons. Calcutta's literary and liberal life gave a tremendous boost to the career of Lakshminath Bezbarua. He initiated the literary crusade by establishing the Asamiya Bhasaunnati Sadhini Sabha in He was the first secretary of the organisation, which tried to uphold the cause of the literary and cultural tradition of Assam.
During this time the famous Assamese periodical Jonaki was launched under the leadership of Chandra Kumar Agarwala. He was the editor and the publisher of the journal. Lakshminath Bezbarua actively participated this venture.
Laxminath bezbarua biography sample
His first satirical pieces appeared in the pages of Jonaki, in the second year of the journal, he wrote extensively under the pseudonym Kripabar Barua. Hemchandra Goswami, another stalwart of the time also worked to make Jonaki a successful venture of the period. Lakshminath Bezbarua was born, romantically enough, on a boat, as it stood moored in a sand bank of the river Brahmaputra at Ahatguri, near Nagaon on a Lakshmi Purnima night, in November His father Dinanath Bezbarua, a senior official with the British government, was in the process of moving to.
An official transfer, Bezbarua had undertaken the journey by road. It was on this journey that young Bezbarua was born. Lakshminath Bezbarua recalled this unusual event in his autobiography Mor Jiuan Sowan. Looking back on his rather unusual birth, he added that when a male child was born in those days it was customary to welcome the newborn by blowing conchshells and perform other auspicious rites.
But under such extraordinary circumstances Lakshminath had to come to the world without any of the usual welcome rites. Lakshminath Bezburua spent his childhood in different places of the state. His father brought his family with him from Barpeta to Tezpur. From Tezpur they shifted to North Lakshimpur. In between the family stayed for a brief while at Garchati and finally they settled in Sibsagar.
For Lakshminath, childhood memories would always remain more vivid, especially when compared to the more blurred recollections of his days as a young adult. The beauty of the river Brahmaputra and its surroundings, the virgin nature of the countryside and the life of its simple people are depicted in his autobiography with a rare sensibility.
The patriarch of young Lakshminath's family was Dangoria Dinanath Bezbarua. His poems written in the early years of his life are romantic in character and are steeped with deep feeling and sensitivity, and his later poems are humorous. We get some poems written "Dhanbar Ratani", with their "Malati", basis "Nimati on folklore, Kanya" etc.
These poems are excellent specimens of Assamese love poems. We find in these poems tue influence of Wordsworth, 2 Shelley, Herrick etc. Asamarthatar karane bodhkarou tekhelo dwitiyabar upanyas rachanat hat nidile". The poem "Been aru Baragi" needs special mention because here the poet has fused his patriotic feelings with the agony of his soul which moves the hearts of the readers.
There was no place of despair in his life, he always wished to go forward with determination and hope. The soul of his poems "Been aru Baragi" and "Au mor Aponar Desh" is his country and his people, in other words, Assam and the people of expressed Assam. No other writer before Bezbaruah such patriotic and nationalist feelings in ever their works so openly and so forcefully.
Short story is a precious gift of Western literature. Lakshminath Bezbaruah is the father of Assamese short story. His "Kehokali" was published after his death. All his short stories are not successful. In some cases it is just a burlesque, in some attempts have been made to create farcical characters where there is no story and some ate based on well known fairty tales.
But the character of the stories, "Bhadari", "Jalkuwari", "Kanya", "Dhowakhowa" etc. Of Bezbaruah the writers realised the of the necessity "Jonakx" of age child Lakshminath literature and wrote a few very attractive books. Some characters of these books, being humorous, language is are very appealing to a child's heart. In this regard the opinions of Trailokya Nath Goswami need to be mentioned.
He said, "In the first part of the 20th century our shot t story made its appearance check and jowl with the ancient stories with definite morals, in the nanus of our great literature Lakshminath Bezbaruah. Even in the old moral stories definite style of his Bezbaruah own in has shown description a and narration. Whether in the old moral stories or the modern short important stories, place in Bezbaruah occupies our literature, 3 inimitable style of presentation.
Sheshar tinikhan puthit prachin Sadhu bor achhe, aru "Sadhu kathar kuki", "Suravi" a m Jonbiri 0 Sarahabhag STdhunik chuti galpa sannit :ist,i haiche. Prachin Sadhuborat rupdiyar kshetrato Bezbaruahr kathanbangi eta baishishtya achhe. Prachin sadhutei haot ba adhunik chuti galpatei haok bhangir ei baishistar karane galpa lekhak hichape Bezbaruah amar sahityat e-khan bishista asan adhikar kari achhe".
We often see that he using different 4 sentences". He wanted to awaken and arouse the Assamese people with the pricks of satire and irony. The song itself is from among the finest poems created by Laxminath Bezbarua. It was first published in in an Assamese magazine named Baahi Flute in English. The song is also included in Kadamkali authored by Bezbaruah.
It is the most popular Assamese patriotic song of all time. Lakshminath Bezbarua has to his credit three historical plays and four farces. Bezbarua was overwhelmed by Jyotiprasad Agarwalla's Joymati and conveyed this feeling to the filmmaker by writing a note of appreciation, on the film during the last days of his life. Bezbarua was equally pioneering and prolific when it came to writing prose.
His favourite form when writing prose was the historical novel and easily cast himself as the master of this genre in Assamese literature when he wrote his acclaimed Podumkuwari. Bezbarua was an unashamed liberal and all his observations of people and places were strongly tinged with this sense of rationalisation. His thought provoking essays on the position of religion in everyday life reflects his rationalisation as well as his liberal outlook.
Though patriotism was a dominant emotion whenever he wrote a personal essay, he could just as easily slip into the analytical world of spirituality in his later works. As a human being Lakshminath Bezburua was honest, sincere and open-minded. He was a product of the Bengal renaissance and the romantic idealism of the Western world in the real sense of the term.
He cherished the renaissance ideals strongly exhibited in the life of Anandaran Dhekial Phukan who was a dreamer and visionary of 19th century Assam. Like an archetypal romantic hero, Lakshminath Bezbarua was a wanderer in his real life too. He spent a considerable part of his life touring and visiting the jungles of Sambalpur and even the forests of Assam.
High School at Sibsagar. He gained an F. He graduated with a B. After graduation, he took admission in M. She belonged to the Thakur family of Jorasanko, and was the niece of the great Indian poet Rabindranath Tagore. She was also an editor in a magazine named Punya, a literary agent in , and was a prominent Odissi dancer.