Leon mccawley biography

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Leon mccawley biography

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This Privacy Policy is the key document we use to inform you about this. Leon McCawley found it here. He played the Schubert like a man possessed, not running amok, quite the opposite. The audience sensed it early on and kept incredibly quiet, even between movements. No-one wanted to break the extraordinary spell he generated. This slackened not a whit in the Andante, which was deeply thoughtful and ended with the same serenity we had heard earlier.

The scherzo was fiery but light, with crisp inner voices. The finale was inevitably more extrovert, and even briefly stormy, but the scale was always intimate, as if secrets were being shared rather than trumpeted around the hall. By now McCawley had the audience in the palm of his hand and could have got away with almost anything. But he kept faith with our intelligence and resisted the temptation to over-explain.

It was possible to believe that this was exactly how Schubert intended it to be. References [ edit ]. Retrieved 23 May External links [ edit ]. Authority control databases. Categories : births Living people Curtis Institute of Music alumni Prize-winners of the Leeds International Pianoforte Competition British classical pianists British male classical pianists People educated at Chetham's School of Music 21st-century British classical pianists 21st-century British male musicians Classical pianist stubs British pianist stubs British classical musician stubs.

My playing is also very inspired by my wife, the artist Anna Paik. The greatest challenge is remaining true to oneself, to forge an individual path without any compromises and not to be shattered by any frustrations that one may experience along the way. I feel so fortunate that I am pursuing my childhood passion and making my living out of something that I thoroughly enjoy.

When I face any challenge, I always remind myself of this. With every recording I feel I am growing and learning more as a musician, as in every concert season. Recording the complete Mozart Piano Sonatas for Avie Records in was a huge undertaking and I am very glad to have accomplished this early in my career. I have happy memories of playing in the Rudolfinum in Prague and also the fine acoustics at the Meyerson Symphony Hall in Dallas.

Performing at the Musikverein when I won the Beethoven Competition in Vienna back in is high up there. I love the music of Schumann and am currently wrapped up in his glorious Carnaval. As a pianist there is endless scope and I am constantly updating my repertoire from season to season. Concentrate on your own goals and try not to be affected by all the pressures around you or make unhealthy comparisons with other musicians.

He also worked with Nina Milkina in London.